One Day at a Time

The camera tracks along a stretch of road, slowly coming upon a teen girl as she lays twitching on the pavement. She is dirty and frothing slightly from the mouth, as the whites of her eyes roll back and she mutters incoherently. Lying beside her is a kit with needles, a spoon, and some unmarked powder. An unmarked cop car pulls up in the distance, its lights flashing. From a dutch angle, we see two officers step out and walk over to the girl. They feel her pulse and root through her pockets to find her wallet. An officer pulls out her ID and notes that she is over 18 years old. Shaking their heads, pick her up and put her in the back seat.

As they drive, she slumps over in the back seat. Off camera, you can hear the officers discuss what to do with her. One suggests she spend another night in county to teach her a lesson. The other cuts in, saying it won’t work. She’ll be back on the streets doing the same shit again. She needs rehab. they should take her over to the sober living house so she can detox. The guy who runs it always has a way with dealing with the lost girls. Maybe he can fix her. They drive off towards the house.

Scene cuts to several days later. It’s morning. The teen, a small fragile girl named Angie, opens her eyes. The brightness of the room is shocking and she pulls up the covers to block it out. She is naked under the sheets. The door opens and a man enters. He is clean and handsome, carrying a covered tray of food. Angie peeks out and stares at him nervously, slowly realizing that she doesn’t know where she is. The man sets the food down and introduces himself as Eric. He runs a sober living house. She looks down and realizes she is naked. She quickly covers herself, asking how she got here and where her clothes are.

Eric replies that she had overdosed and the cops who found her had brought her here. She’s lucky they didn’t put lock her up. She’s been in and out for almost 3 days. Angie remembers nothing and seems very confused. Eric sits down beside her and gently takes her hand. It’s ok, he says. I know what you’re going through. I’ve been there too. He goes on to describe his own experiences with substances and shows her a 1-year recovery medallion. Sober living worked for me, he reassures her. I’ve turned my life around. It’s all about taking one day at a time. I can help you do the same … if you trust me.

Angie covers her head in her hands, reeling from her symptoms. She asks Eric if he can simply let her go. She doesn’t need to be here. Eric reminds her that the cops specifically asked him to take care of her. He doesn’t know when they’ll be back to check up. He tries to get Angie to open up about her own experience. She confides in him that she is a good girl, with good parents. She just parties a little too much. If he will just let her go, she promises to go home and not do this again. Eric reiterates that the cops are watching him closely and that he has an obligation to rehabilitate the girls who enter his house. Angie starts to cry, as she scrunches the sheets around herself. She begs and pleads with him … saying she’ll do anything to just go home.

Eric stares at her for a long time, his eyes occasionally darting back to the covered food tray. I suppose I could make something up if the cops came back … He says slowly. Angie perks up and continues to beg and thank him. Eric continues to stare, lost in thought. He watches as the sheets scrunched up around Angie start to slouch, exposing her nipples. But if I were to let you go, he continues. You need to make it worth my while. She asks him what he means. Eric edges closer to her on the bed and tells her to drop the sheets. Stunned, she leaps off the bed and makes for the door. It’s locked. She tells him to stay back. Calmly, Eric reiterates the situation. Look, I’m not here to do any harm. I’m here to help you. But if you aren’t willing to stay here and you want me to cover it up, you are going to need to treat me with a little more respect. I’m simply asking for an exchange. A deal. You’re familiar with dealing, right? This descends into a negotiation between Eric and Angie. After protesting, Angie ultimately decides it is worth it to fuck with the counselor in exchange for her early exit. She gives her full, lucid consent.

Format                        : MP4 at 3 561 kb/s
Length                        : 1.17 GiB for 47 min 9 s 619 ms
Aspect                        : 1920 x 1080 (1.778) at 23.976 fps

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Behind the Mask

Teen girl Melissa Moore begins to receive anonymous phone calls from a stranger, who does nothing but breathe into the phone. At first, she is creeped out by the calls but, as they keep happening, she realizes that it’s probably just her boyfriend playing a joke on her. So, she starts to talk back to the ‘stranger,’ playing along, and threatening to find him and expose him for being a pervert … referencing the fact that she knows who he is! But, no matter how much she eggs him on, he never speaks or reacts. She begins to anticipate his calls and fantasize about their roleplay … even masturbating about it.

Finally, after her parents have gone to bed, she challenges him to show himself. If he can sneak into her house and confront her then he can do whatever he wants … even fuck her. When the ‘stranger’ hangs up abruptly, the girl assumes her boyfriend’s game is over. When he sneaks into the house and catches her in her bedroom, she is shocked that he actually showed up (in a mask no less) and she happily submits to him, getting off on the experience and going along with the roleplay.

In a very primal sex scene, he takes her from behind and fucks her against the wall, on the stairs, harder than they have ever fucked before, and right under her parent’s noses! After an intense orgasm, the masked stranger leaves as abruptly as he came. The exhausted teen can’t believe how intense it was, as she lays in her dimly lit room. Her phone rings. It’s her boyfriend. ‘I can’t believe you,’ she says. ‘That was so hot! How did you come up with that?’

Format                        : MP4 at 3 472 kb/s
Length                        : 1.18 GiB for 48 min 47 s 550 ms
Aspect                        : 1920 x 1080 (1.778) at 23.976 fps

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Divorce Bait

Rich businessman (Dick Chibbles) wants to leave his wife (Penny Pax) but doesn’t want to pay the price of a costly divorce. He hires actor (Karlo Karrera) off Craigslist to seduce her into having an affair so he can use it as evidence of adultery. But the actor he has hired is actually a con-man, who sees a greater opportunity to extort the man out of his fortune … using his mistreated wife as a pawn. The con-man meets the woman and shows her all the messages he has been exchanging with her husband, including the suggestion that he seduce her. The wife feels betrayed and furious. She thanks the con-man for his honesty and is about to get on the phone with her lawyer when he makes another suggestion. What if they worked together to really teach the husband a lesson? What if they humiliate him and record the hold thing to use as persuasion so they can run away together. They hatch the plot and the wife, finally feeling some much-needed attention, clearly begins to fall for the guy … which he hams up. They cuckold the husband together and then get him to turn over his bank statements, once they reveal he’s been recorded. Afterwards, the woman thinks she’s going to run away with the con-man but he ties her up as well and leaves the couple alone together, making off with the fortune for himself!

Format                        : MP4 at 3 980 kb/s
Length                        : 1.66 GiB for 59 min 42 s 38 ms
Aspect                        : 1920 x 1080 (1.778) at 23.976 fps

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Daddy’s Girls

A teenage girl (Alison Rey) becomes suspicious of her ‘perfect’ stepfather Steve Richmond (Ryan McLane) after he randomly fosters another teen Amanda (Karlee Grey) and brings her to live with their family.    Even though dad is boasting about how charitable this makes them, the daughter is convinced he is really using the adoption as a ruse to cheat on her mom.    She becomes obsessed with the notion of ‘catching them’ until the foster sister causes her to confront the REAL issue she is dealing with … her own inappropriate feelings for Dad.

Format                        : MP4 at 3 483 kb/s
Length                        : 1.17 GiB for 48 min 8 s 928 ms
Aspect                        : 1920 x 1080 (1.778) at 23.976 fps

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Sins Of The Father

SCENE OPENS on a closed door in a hallway. A moment later, Jillian (Lexi Lore) opens the door and turns off the bathroom light as she comes into the hallway. The house is completely quiet as she softly walks down the hallway back to her room. Suddenly, from somewhere off-screen we hear a soft tapping. TAP. TAP. Jillian stops, looking behind her towards the source of the noise. The tapping continues, getting increasingly louder. Suddenly the tapping turns into a loud THUMP. Jillian jumps. Fear crosses her face, but she has now discerned where the noise is coming from: the attic. She moves toward the attic. Suddenly the house is oppressively silent. The quiet seems to squeeze the air out of her as she approaches the attic door.

As Jillian’s hand reaches up to grasp the cord that hangs from the attic door, she seems to be holding her breath. But suddenly, a dark figure standing in the hall startles her. She yelps in terror, moving away from the figure. But then…her shoulders sag with relief when she sees who it is: her father, Stan.

When she theorizes that the attic is haunted by the ghosts of her father’s first wife and unborn offspring, who both died, Stan dismisses her concerns harshly. ‘I mean, GHOSTS?! Jesus Christ, you’re 18 YEARS OLD! GROW UP, for god’s sake! I’m your GODDAMN father, so why don’t you start LISTENING to me and LEAVE IT ALONE,’ he continues, shaking his head in apparent disappointment. She recoils in the face of his outburst, looking shocked and puzzled, as if his words have made her look at something in a new light. O-ok dad, Jillian stammers, thoroughly rattled. She turns to go back to her bedroom. ‘And Jillian? DON’T tell your mother about this. I don’t want you putting any of these ridiculous ideas in her head. You KNOW how confused she gets,’ Stan adds. Jillian silently nods. She reaches her bedroom door, opening it. Before she goes back in, she looks back into the hall, her gaze fixed on the attic door.

CUT TO TITLE

The next day, Jillian’s curiosity gets the better of her and she goes up into the attic. She looks around the room, her eyes wide with surprise and fear. The attic is cluttered and spooky, but out in the most open area she sees a sort of nest of old ratty sheets, next to a rusty old bucket. Her dread mounting, she looks around. Suddenly, as her eyes sweep over the surroundings, she squints. What IS that? She peers closer. Her eyes widen and she reels backward, terrified. She puts her hand over her mouth, her eyes filling up with horrified tears. In the corner, crouched like a rat, is a filthy, disheveled looking young man (Michael Vegas). He wears a pair of underwear only and gazes back at her, at first with a mixture of fear and confusion.

‘A-are you—who are—?’ she stammers, at a loss. The boy’s eyes betray almost no understanding. How long has he—?, she asks, trailing off as she glances again at the mattress and bucket. He looks back at her in fear and her eyes soften with sympathy. ‘Who…who did this to you?’ she asks him slowly. Something changes in his eyes. ‘NOT MY SON! NOT MY SON!’ the boy growls, repeating something that has been said to him in the past. Confused, she tries to probe for information. ‘Not WHOSE son?! What are you trying to tell me?! Did someone SAY that to you??’ she asks him gently. ‘SON OF A CHEATING WHORE!’ the boy says frantically. Someone was a cheater?? Who is he TALKING about??, Jillian asks. ‘NOT mine! NOT Mine!’ the boy growls again. Realization slowly dawns on Jillian’s face.

This beast-like man is about to unleash all of his primal sexual energy on Jillian, but not before she uncovers the terrifying truth about him…and the truth of the sin that her father is so desperate to hide.

Format                        : MP4 at 4 482 kb/s
Length                        : 1.58 GiB for 50 min 20 s 601 ms
Aspect                        : 1920 x 1080 (1.778) at 23.976 fps

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The Casting

Scene opens on Amy (Abigail Mac), a young waitress, as she waits by a bus stop at the end of a long shift. Still dressed in her work uniform, she rifles through her purse to find some change for the bus when her phone rings. It’s her agent on the other end of the line, calling to inform the struggling actress that she received an invitation to audition for a new mainstream project — a lead role in a pilot. Amy is ecstatic and surprised. It’s the first audition she’s ever had… The agent tells her that he received the invitation from the director himself, eager to meet Amy after seeing her demo reel. Eager to accept, she tells the agent to set up a time and she’ll be there. ‘Do you think you could make it to Los Verdes by 5pm?’ The agent asks. Amy looks down at herself. ‘As long as they don’t mind my work uniform,’ she jokes. The agent tells her he’ll set it up and send the address. Amy puts the phone back in her purse and sits quietly for a moment, before jumping up and down in excitement at the bus stop.

CUT TO TITLE PLATE

Inside a staged living room, several crew members finish setting up lights and preparing their cameras. A small bespectacled man, the director (Jake Adams), comes on to the set and barks orders at several of them. Despite his slight stature, he commands a presence and the crew work obediently under him. He walks over to a separate area, where a makeup artist is finishing up with the male lead (Seth Gamble)’s hair. ‘Tony Romeo,’ the director says, clasping the man’s hand. ‘Do I have a fun audition for you today!’ The actor flashes a toothy grin. ‘Like last time?’ he asks. The director smirks at him, adjusting his glasses, before telling the makeup artist to wrap it up. The actress will be here any moment. And he wants a closed set.

Outside the building, Amy paces by the door. It is already after 5pm and she doesn’t want to make a bad impression. A PA lets her in, paging the director on his walkie-talkie. Amy steps inside to view the set. It looks so professional … like a real living room! She nervously sits down on the couch when the director storms in. With a strong handshake, he introduces himself. ‘I’m Steven Rothschild, welcome to my set!’ Amy recognizes the name instantly. Rothschild is one of cable’s most successful showrunners. ‘You’re the guy behind Red, White, and Bad!’ she exclaims. ‘That’s one of the best shows on television right now!’

Tony struts into the room. ‘OR ever!’ he says, jokingly sliding into their conversation. Amy looks doubly starstruck. Tony Romeo is the hottest young actor in Hollywood right now. ‘Oh my god, Tony Romeo. Are you in this?’ He smiles, looking at the director. ‘Are you kidding? Stevie wrote this for me!’ He clasps his director friend on the back before sitting down on the couch. The director puts his arm around Amy and tells her that Tony is going to be helping read lines for her audition today. Is she ready to get started? Amy nods, then asks if he got her portfolio the agent sent over. Steven looks her up and down. ‘Don’t worry, I’ve seen everything I need to see about you already,’ he says with a smile before turning to tell the crew to leave the room. This is a closed audition.

The director sits down beside Tony and asks Amy to stand before them. He asks her age, height, weight and then to spin around for him. Amy looks a little confused. ‘Do we have a script?’ she asks. The director smiles and repeats his request, with Tony chiming in. ‘Stevie likes to freestyle his auditions,’ he adds. ‘Starting off with how you look!’ Amy slowly turns around, trying to keep her composure. She feels awkward. The director likes what he sees and pays several compliments to Amy’s physique. ‘You look like you take very good care of yourself,’ he says, jotting down a note. ‘Have you done a lot of physical roles in the past?’ Amy feels even more awkward. ‘Um … I work out,’ she replies.

The two men look at each other and nod, before Tony gets up and walks over beside her. The director compliments how good they look together. ‘Now, that’s an attractive cast!’ he remarks. Tony comes in close to Amy and puts his arm around her. He smells great and is very handsome. Amy blushes at the thought of him touching her. ‘Thanks,’ she squeaks. ‘Now, are you sure you don’t want me to read anything in specific?’

The director stands up and walks over to them, scoping them out. ‘Are you comfortable with romantic roles?’ he asks Amy. Amy nods. ‘Good,’ the director continues. ‘Because this new project is a love story and it’s going to feature several very intimate scenes.’ The camera lingers on Amy’s face, as she tries to remain confident and professional despite her unease. Tony playfully teases her by saying not to worry, he brushed his teeth. ‘I’m sure that won’t be a problem,’ she replies quietly.

The director goes on to explain that there is one pivotal scene in the project that involves nudity. It is very important that she feels comfortable with being nude on camera. Amy’s smile wavers. ‘Um … ok, I guess,’ she replies. The director’s tone changes sharply. ‘Well, are you ok with being nude on camera or not?’ he barks. Tony releases his grip and looks at her. Feeling cornered, Amy nods nervously. ‘Yes, of course. I’m an actress,’ she says. The director relaxes. ‘Great,’ he says, clasping his hands together. ‘So, let’s see you out of these clothes then. I want to make sure you don’t have any tattoos or blemishes that would take away from the innocence of your character.’

Amy stares at the men in shock, before slowly looking across the room. It is empty. The crew have left. She is completely alone. ‘I don’t have any tattoos,’ she whispers. The director crosses his arms and motions again for her to undress. ‘He just wants to make sure,’ Tony adds reassuringly. There is a long pause before Amy slowly begins to remove her work uniform. She strips down to her bra and panties. ‘See, no tattoos,’ she says, eager to redress. The director stops her. ‘Let me take a good look,’ he says scanning her body. ‘Please remove your undergarments.’ Amy wraps her arms around her chest. ‘I don’t think that’s necessary, do you?’ she asks. Tony chimes in again, joking that she might have something hidden under there. They just need to take a quick look. It’s not a big deal. ‘You are an actress, right?’ he says, his joking attitude turning serious. Feeling intimidated, Amy nods and slowly slips off the rest of her clothing.

She stands before the two men fully nude and vulnerable. They exchange knowing looks before the director compliments her body again, saying how lovely she looks and what great shape she is in. She is a natural born star. Amy fakes a smile. ‘Thank you,’ she says. ‘Shall I get dressed now?’ The director says sure and goes back to sit on the couch when Tony interjects. ‘Wait, wait, wait!’ he says enthusiastically. ‘Stevie, I have a great idea! Since we are all here and there is such a good vibe going on, why don’t we just rehearse that scene you told us about to see what the chemistry is like? You can work out the angles you’d like for when we actually film it!’ The director smiles. ‘That is a FANTASTIC idea!’ he replies as Amy covers herself up and the director leaves the room to grab his camera.

Tony starts to remove his clothing, staring intently at the nervous woman. ‘You should really relax,’ he says coldly. ‘Stevie hates difficult women!’ He pulls down his pants to reveal his semi-erect cock, as she turns away embarrassed. The director returns with his camera and begins to guide them into position. ‘I imagine that this scene starts with a long, intimate kiss,’ he says. ‘Standing just about where you are now. When you’re ready, please begin.’ He kneels to get a nice low angle look at Amy as Tony closes in on her. ‘Are you ready, beautiful?’ he says, inches from her lips. Looking down at his cock on her thigh, she closes her eyes and says ‘ok.’

The director yells action and Tony kisses her. She nervously kisses him back, not sure what to do with her hands, but the leading man grabs them and wraps them around his muscular frame. ‘Closer,’ the director whispers eagerly. ‘More passionate!’ Throughout the awkward make out session, the director moves around the couple to view his various angles. When he is not satisfied with something, he sharply asks Amy to bend and contort herself. The requests become increasingly exploitative and she tries to protest but both men remind her that this is an audition and she shouldn’t break character. ‘If you do what the director asks, you will get the part,’ Tony whispers aggressively in her ear. ‘So, don’t be a diva about it!’ She feels horribly conflicted but doesn’t want to lose the role of a lifetime so, mustering up her courage, she tries her best to do everything the director says, no matter how invasive. She ends up spread eagle on the couch for both men to see, as the director sticks his lens right up to to her pussy and breathes heavily. ‘This will make a perfect transition,’ he mutters to himself as he hands his camera to Tony.

‘Tony, I want your character to begin the sex scene with oral first, followed by penetration,’ he says, matter-of-factly as he undoes his zipper. ‘But, it needs to feel authentic, so let me show you how I’d like you to do it first.’ Tony nods, pointing the camera. Amy looks at the director. ‘I’m sorry … What?!’ she stammers. Looking at her coldly, the director arches an eyebrow. ‘You don’t have any issue with me showing him, right? I like to get into the minds of my characters through roleplay. It’s just my style.’ She closes her legs and starts to get up. ‘I don’t think I feel comfortable with that, I’m sorry.’ She rushes over to her clothes and starts to gather them on the ground when she hears the men laughing behind her. Angry, she stands up and turns around. ‘What is so funny?’ She asks, her anger welling up alongside her anxiety. The men stop snickering and face her. ‘You chicks are all the same,’ Tony says. ‘You take an opportunity and you ruin it with your attitude! Nobody wants to work with a bitch like that.’

Amy tries to defend herself. She doesn’t have an issue with nudity or even a sex scene, she just wished she’d be informed. ‘I thoroughly explained this all to your agent,’ the director adds. ‘He assured me that you were professional and experienced.’ Amy walks back over to them, pleading. ‘I am,’ she says, exasperated. ‘And I want this role, I really do! I just wasn’t expecting this much pressure!’

Tony puts his arm around her and slowly pushes her back down on the couch. ‘Look, I’m sorry if I offended you, I just hate it when actors aren’t respectful on set. It’s my biggest pet peeve … right, Stevie?’ The director nods, pulling his dick out. ‘Nobody is here to pressure you sweetheart,’ he says. ‘We just want to make sure we create the most authentic scene possible!’ She stares at the penis in his hands, her lips quivering. ‘So, are you willing to continue?’ he says. ‘Because I’ve got girls lined up if you don’t think you’re strong enough for this role!’ Amy closes her eyes. This isn’t what she expected. But, if she doesn’t do it, she won’t get the role. Slowly, she spreads her legs wide again and stares at him. ‘Yes,’ she says quietly.

Nominated – Best Three-Way Sex Scene — B/B/G: Abigail Mac, Seth Gamble & Jake Adams, AVN 2020

Format                        : MP4 at 3 910 kb/s
Length                        : 1.18 GiB for 43 min 5 s 430 ms
Aspect                        : 1920 x 1080 (1.778) at 23.976 fps

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Half His Age – Part 3

The teacher and the two teenage girls remain holed up in the cabin. Now embroiled in a strange mÃ(c)nage-a-trois, neither of the girls wants to leave and Mr. Davies (Charles Dera) doesn’t know what to do. He just keeps having sex with both to keep things calm. The following morning, his concerned wife (Cherie DeVille) decides to visit the cabin to look for her missing husband and is stunned to walk in on him with the girls. Putting two and two together, she goes into the other room to call the police. As she’s making the call, Lola (Jill Kassidy) grabs Mr. Davies shotgun from the mantle. After a loud bang, Lola comes back in to announce that she’s solved the problem. She’s taken care of Mrs. Davies. Now Mr. Davies is not only guilty of having an affair with his student, he is also an accessory to crime and is indirectly responsible for his wife’s death. He throws Lola into a room and locks the door, and tells Heather (Kristen Scott) to stand guard while he goes off to think about what to do next. While he is out, Heather’s stepbrother (Small Hands) calls and she tells him where they are. She informs Lola and pledges that he will be able to fix the problem way better than Mr. Davies. When he gets there with his friend (Xander Corvus), he makes Mr. Davies watch them all have sex before leaving the cabin together.

Format                        : MP4 at 3 375 kb/s
Length                        : 1.85 GiB for 1 h 18 min 36 s 379 ms
Aspect                        : 1920 x 1080 (1.778) at 23.976 fps

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